Conference Schedule
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All times are CEST = UTC+2
Miscellaneous
10:30 Keynote - (misc event)
Day 2 - Friday, May/2
Workshop
10:00 Groovin' high: Remixing music in full-sphere surround - Workshop(90 min) Gabriel Nordeborn, Jörn Nettingsmeier » Location: ZKM_Cube
In this 90 minutes workshop, we will take a recent track by Gabbe, look into its composition and production techniques, and then take it to the third dimension using Ambisonics.
After a short introduction to the technical side of with-height surround production, we will focus on its musical application.
Spatialisation is just another production tool which, above all else, must support the song, so the mixing process will begin with an analysis of the musical material.
While we indulge in full 3D playback in this workshop, the spatial ideas and concepts discussed here will be applicable to horizontal surround and good old stereo as well.
We will demonstrate the downwards-compatibility of full-sphere Ambisonics by showing you automated downmixes for 5.1, 4.0 and stereo, and discuss their advantages and limitations.
Our workstation of choice will be Ardour3. Target audience is just about everybody. We will assume basic knowledge about the fundamentals of music production and gracefully sidestep Ambisonic theory.
After a short introduction to the technical side of with-height surround production, we will focus on its musical application.
Spatialisation is just another production tool which, above all else, must support the song, so the mixing process will begin with an analysis of the musical material.
While we indulge in full 3D playback in this workshop, the spatial ideas and concepts discussed here will be applicable to horizontal surround and good old stereo as well.
We will demonstrate the downwards-compatibility of full-sphere Ambisonics by showing you automated downmixes for 5.1, 4.0 and stereo, and discuss their advantages and limitations.
Our workstation of choice will be Ardour3. Target audience is just about everybody. We will assume basic knowledge about the fundamentals of music production and gracefully sidestep Ambisonic theory.
The schedule is a major guideline. There is no guarantee events will take place at the announced timeslot.
