BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//linuxaudio.org/LAC2013//NONSGML v1.0//EN
BEGIN:VEVENT
UID:lac2013-80@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Reni Hofmüller:MAILTO:no-reply@linuxaudio.org
DTSTART:20130508T170000Z
DTEND:20130508T165900Z
SUMMARY:LAC2013 - LAC Exhibition Vernissage
DESCRIPTION:The installation program of the LAC will be officially opened on the day preceding the conference.
LOCATION:ESC im LABOR
CATEGORIES:(misc event)
END:VEVENT
BEGIN:VEVENT
UID:lac2013-79@linuxaudio.org
DTSTAMP:20140611T184023Z
DTSTART:20130508T190000Z
DTEND:20130508T185900Z
SUMMARY:LAC2013 - Inofficial Opening Dinner
DESCRIPTION:For those of you who are already in Graz on Wednesday evening\, we will have dinner somewhere in town.
LOCATION:???
CATEGORIES:(misc event)
END:VEVENT
BEGIN:VEVENT
UID:lac2013-7@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Fons Adriaensen:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T145000Z
DTEND:20130509T153000Z
SUMMARY:LAC2013 - Design of an audio oscilloscope application
DESCRIPTION:This paper documents some aspects of the design of zita-scope\, an Audio Oscilloscope\napplication for the GNU/Linux system. It is designed to permit accurate display and\nmeasurements on audio waveforms captured from any source via the Jack audio server.\nTopics covered include performance requirements\, an analysis of some problems that\nneed to be considered\, and an overview of the implemention structure. The software\nwill be available at the time this paper is presented at the 2013 Linux Audio\nConference in Graz.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-12@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Kim Ervik:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Øyvind Brandtsegg:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T102000Z
DTEND:20130509T110000Z
SUMMARY:LAC2013 - Combining granular synthesis with frequency modulation
DESCRIPTION:Both granular synthesis and frequency modulation are well-established synthesis techniques that are very flexible. This paper will investigate different ways of combining the two techniques. It will describe the rules of spectra that emerge when combining\, compare it to similar synthesis techniques and suggest some aesthetic perspectives on the matter.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-14@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Roman Haefeli:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T090000Z
DTEND:20130509T094000Z
SUMMARY:LAC2013 - netpd - A Collaborative Realtime Networked Music Making Environment written in Pure Data
DESCRIPTION:This paper presents netpd\, a framework intended for making music collaboratively and in real-time written in Pure Data (Pd). Users join by connecting to a central server in order to have a session together (not much unlike a jam session in Jazz music) and load self-written or pre-existing instruments (Pd patches) to play with. The framework maintains state synchronicity between clients at any given time by exchanging control messages over the server. The protocol in use is fully based on OSC.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-15@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Jakob Leben:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Tim Blechmann:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T123000Z
DTEND:20130509T131000Z
SUMMARY:LAC2013 - SuperCollider IDE: A Dedicated Integrated Development Environment for SuperCollider
DESCRIPTION:SuperCollider IDE is a new cross-platform integrated development environment for SuperCollider. It unifies user experience across platforms and brings improvements and new features in comparison with previous coding environments\, making SuperCollider easier to begin with for new users\, easier to teach for teachers\, and more efficient to work with for experienced users. We present an overview and evaluation of its features\, and explain motivations from the point of view of user experience.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-16@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Renick Bell:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T131000Z
DTEND:20130509T135000Z
SUMMARY:LAC2013 - An Approach to Live Algorithmic Composition using Conductive
DESCRIPTION:Algorithmic composition can be done as a live performance using live coding tools. An example approach to such performances is described. Using the Conductive library for the Haskell programming language in conjunction with some external tools\, samples are triggered according to interonset interval patterns generated at a variety of densities. Automatic movement through those density levels is accomplished through a specialized data structure\, which is also used to time-vary other parameter values. The performer manages the state of the above items\, and audio is finally output through effects.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-19@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Fernando Lopez-Lezcano:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Travis Skare:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Wilson Michael:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Jonathan Abel:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T094000Z
DTEND:20130509T102000Z
SUMMARY:LAC2013 - Byzantium in Bing: Live Virtual Acoustics Employing Free Software
DESCRIPTION:A Linux-based system for live auralization is described\, and its use in recreating the reverberant acoustics of Hagia Sophia\, Istanbul\, for a Byzantine chant concert in the recently inaugurated Bing Concert Hall is detailed. The system employed 24 QSC full range loudspeakers and six subwoofers strategically placed about the hall\, and used Countryman B2D hypercardioid microphones affixed to the singers' heads to provide dry\, individual vocal signals. The vocals were processed by a custom-built Linux-based computer running Ardour2\, jconvolver\, jack\, SuperCollider and Ambisonics among other free software to generate loudspeaker signals that\, when imprinted with the acoustics of Bing\, provided the wet portion of the Hagia Sophia simulation.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-25@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Liam O'Sullivan:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T141000Z
DTEND:20130509T145000Z
SUMMARY:LAC2013 - MorphOSC- A Toolkit for Building Sound Control GUIs with Preset Interpolation in Processing
DESCRIPTION:MorphOSC is a new toolkit for building graphical user interfaces for the control of sound using morphing between parameter presets. It uses the multidimensional interpolation space paradigm seen in some other systems\, but hitherto unavailable as open-source software in the form presented here. The software is delivered as a class library for the Processing Development Environment and is cross-platform for desktop computers and Android mobile devices.\n\n\nThis paper positions the new library within the context of similar software\, introduces the main features of the initial code release and details future work on the project.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-32@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Chun Lee:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T090000Z
DTEND:20130509T110000Z
SUMMARY:LAC2013 - Music in expression -- A DSP based compositional methodology
DESCRIPTION:This workshop aims to provide hands on experience\, as well as in-depth practical demonstration\, on the compositional techniques outlined in author's previous paper entitled "Music in expression -- A DSP based compositional methodology". The original paper was presented as part of the Pure Data convention in Weimar\, 2011.\n\n\nAdditionally\, the content of the workshop will include new findings and methods which the author has since developed. Moreover\, although the workshop will be taught in Pure Data\, users of other DSP programming languages will be welcome and encouraged to participate\, to further experiment the underlying adaptability and universality of the proposed compositional methodology.
LOCATION:Hall i6 (workshop)
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-37@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Rui Nuno Capela:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T141000Z
DTEND:20130509T153000Z
SUMMARY:LAC2013 - Qstuff*: past present and future
DESCRIPTION:The proposed workshop shall present a bit of escathology and a hands-on demonstration of the most important aspects of the Qtuff* software package\, ultimately focused in the Qtractor audio/MIDI multi-track sequencer own project. Audition\, discussion and assistance from attending developers\, composers and users in general are the main tracks for help on how the Qstuff* suite can be improved to fit best each one's purposes.
LOCATION:Hall i6 (workshop)
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-76@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Margarethe Maierhofer-Lischka:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Florian Hollerweger:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T123000Z
DTEND:20130509T135000Z
SUMMARY:LAC2013 - Lilypond: High-Quality Music Notation for Everyone
DESCRIPTION:In this workshop\, we will present Lilypond as a viable alternative to commercial notation packages (Sibelius\, Finale) for composers and musicologists alike. We will explain Lilypond's editing paradigm\, where music is not entered graphically but as plain text\, which is then translated to the actual sheet music. While this non-WYSIWYG editing style can initially seem complex and takes time to get used to\, it offers many advantages (concerning\, for example\, the typesetting quality) that we intend to demonstrate in detail. After this workshop\, participants should feel confident to get started with Lilypond in order to typeset their next small-to-medium composition or musicological paper. They should regard it as natural to consult the documentation and participate in the Lilypond community to overcome any problems that they might face a part of this process. We will use the cross-platform Lilypond editor 'Frescobaldi' (http://frescobaldi.org) as the main tool in the workshop.\n\n\nWe plan to cover the following subjects:\n\n- Showcase of some examples\n\n- Comparison with commercial notation packages (typesetting quality\, license situation)\n\n- Installation on different operating system\n\n- Introduction to HTML help system and realtime support (mailing list\, IRC)\n\n- Editing paradigm\, basic syntax\n\n- Workflow suggestions for preparing larger scores and individual parts\n\n- Conversion to and from other formats (e.g.\, .sib and .etf)\n\n- Addressing specific questions by workshop participants ("How do I...?")\n\n- Preparing musicological documents with lilypond-book and LaTeX or the OOoLilyPond plugin for OpenOffice\n\n- Alternative editors ('LilyPondTool' jEdit plugin\, Denemo\, Rosegarden\, Musescore)
LOCATION:Tonlabor
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-26@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=IOhannes m zmölnig:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Peter Plessas:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T080000Z
DTEND:20130509T082000Z
SUMMARY:LAC2013 - Conference Welcome
DESCRIPTION:
LOCATION:Hall i7 (main venue)
CATEGORIES:(misc event)
END:VEVENT
BEGIN:VEVENT
UID:lac2013-78@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
DTSTART:20130509T082000Z
DTEND:20130509T090000Z
SUMMARY:LAC2013 - Keynote
DESCRIPTION:
LOCATION:Hall i7 (main venue)
CATEGORIES:(misc event)
END:VEVENT
BEGIN:VEVENT
UID:lac2013-2@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Henning Thielemann:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T131000Z
DTEND:20130510T135000Z
SUMMARY:LAC2013 - Live music programming in Haskell
DESCRIPTION:We aim to compose algorithmic music\nin an interactive way with multiple participants.\nTo this end we develop an interpreter for a sub-language\nof the non-strict functional programming language Haskell\nthat allows to modify the program during its execution.\nOur system can be used both for musical live-coding\nand for demonstration and education of functional programming.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-5@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=John ffitch:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Victor Lazzarini:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Steven Yi:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T123000Z
DTEND:20130510T131000Z
SUMMARY:LAC2013 - Csound6; old code renewed
DESCRIPTION:This paper describes the current status of the development of a new major version of Csound. We begin by introducing the software and its historical significance. We then detail the important aspects of Csound 5 and the motivation for version 6. Following\, this we discuss the changes to the software that have already been implemented. The final section explores the expected developments prior to the first release and the planned additions that will be coming on stream in later updates of the system.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-6@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Chuckk Hubbard:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T084000Z
DTEND:20130510T092000Z
SUMMARY:LAC2013 - The Rationale behind Rationale: Designing a Sequencer for Unlimited Just Intonation
DESCRIPTION:This article presents some of the considerations that went into determining how the Rationale Just Intonation sequencer should work. Various special problems that came about because of the number and nature of usable tones are discussed\, as well as reasons for eschewing other existing notation systems. Programming specifics are ignored in favor of questions of interface design.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-17@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Bill Gribble:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T145000Z
DTEND:20130510T153000Z
SUMMARY:LAC2013 - Music for Programmers (MFP): A Dataflow Patching Language
DESCRIPTION:MFP is a graphical dataflow patching language in the tradition of Max/MSP and Pure Data. It expands on its predecessors by integration of higher-level language constructs from Python\, including a variety of data types and operations and the widespread use of the Python evaluator. A new lexical scoping system\, a layers approach to building logical code blocks\, and a UI optimized for keyboard control are also featured.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-18@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Matthias Kronlachner:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T080000Z
DTEND:20130510T084000Z
SUMMARY:LAC2013 - Ambisonics plug-in suite for production and performance usage
DESCRIPTION:Ambisonics is a technique for the spatialization of sound sources within a spherical loudspeaker arrangement.\nThis paper presents a suite of Ambisonics processors\, compatible with most standard DAW plug-in formats on Linux\, Mac OS X and Windows.\nSome considerations about usability did result in features of the user interface and automation possibilities\, not available in other surround panning plug-ins.\nThe encoder plug-in may be connected to a central program for visualisation and remote control purposes\, displaying the current position and audio level of every single track in the DAW.\nTo enable monitoring of Ambisonics content without an extensive loudspeaker setup\, binaural decoders for headphone playback have been implemented.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-20@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=David Adler:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T094000Z
DTEND:20130510T102000Z
SUMMARY:LAC2013 - Chino -- a framework for scripted meta-applications
DESCRIPTION:Chino is presented\, a framework for creating meta-applications from Linux audio and Midi tools. It provides command line options to create or open sessions\, a runtime user interface for adding\, restarting or removing applications and a hand-editable file format to which sessions are saved. Graphviz is used to optionally display the layout of a session.\n\nChino itself is a Bash script that just provides generic functionality\, users can create presets to implement what is desired for their use cases. Presets are prototypes for sessions\, multiple sessions can be derived from a preset.\n\nA preset is made up of a number of applications\, each defined as a program together with its usage. For every application\, the preset contains required application files and a library file that\, via variables and functions\, defines how the program is to be\nstarted and interconnected. Defining applications together with their connections results in dependencies\, which are tied via user defined port-groups.\nIn this paper\, we will explain the architecture of Chino and take a look at some implications and limitations of this session management model.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-21@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=David Garcia-Garzón:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Xavier Serra Román:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T141000Z
DTEND:20130510T145000Z
SUMMARY:LAC2013 - ipyclam\, empowering CLAM with Python
DESCRIPTION:This paper introduces ipyclam\, a new way of manipulating networks in CLAM (C++ Library for Audio and Music) by using the Python language. This extends the power of the framework in many ways.\nSome of them are exploring and manipulating live processing networks via interactive Python shells\, or extending the power of visual prototyping in CLAM\nby adding elaborated application logic and user interfaces with PyQt/PySide.\nThe described Python API\, ipyclam\, by redefining the back-end layer\, can be reused to control other patching based systems such as JACK\, gAlan...
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-22@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Nils Gey:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T110000Z
DTEND:20130510T112000Z
SUMMARY:LAC2013 - [Lightning talk] Laborejo - Music Notation Workshop Feature highlights and
DESCRIPTION:A demonstration of the program "Laborejo -- Music Notation Workshop". In 15 minutes we will see some of the more interesting features like note generation\, redundancy fighting\, "Performance signatures"\, advanced exporting and briefly scripting.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-83@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Robin Gareus:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T102000Z
DTEND:20130510T104000Z
SUMMARY:LAC2013 - [Lightning talk] openGL UIs for LV2 plugins
DESCRIPTION:"new unprecedented LV2 tech\, use of the otherwise unused graphics card in your audio-box..."
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-84@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Bent Bisballe Nyeng:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Lars 'Muldjord' Jensen:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Jonas Christensen:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T104000Z
DTEND:20130510T110000Z
SUMMARY:LAC2013 - [Lightning talk] Drum Gizmo demo
DESCRIPTION:
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-36@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Christoph Kuhr:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T123000Z
DTEND:20130510T135000Z
SUMMARY:LAC2013 - AVB Linux Stack Workshop
DESCRIPTION:This workshop and discussion panel is intended to get a working concept for an\nIEEE 802.1AVB (Audio Video Bridging) Linux stack. AVB is an audio and video (AV)\nnetwork streaming infrastructure\, designed to provide realtime transmission and\nadmission control of AV streams on the DLL/MAC layer (OSI layer 2). To enable Linux computers to stream AV using an AVB infrastructure\, an AVB Linux stack is needed.
LOCATION:Hall i6 (workshop)
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-50@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Joachim Heintz:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Tarmo Johannes:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T141000Z
DTEND:20130510T153000Z
SUMMARY:LAC2013 - Using Python in CsoundQt
DESCRIPTION:Since version 0.7\, CsoundQt offers not only a built-in Python interpreter\, but grants this interpreter direct access to all levels of usage. The user is able to:\n\n- generate and modify Csound code\n\n- generate and modify CsoundQt's widgets\n\n- run Csound instances including live coding\n\n- build his or her own Graphical User Interfaces.\n\nThis workshop will show and discuss examples for all these features. The ideal user would have some knowledge in both\, Csound and Python\, and have CsoundQt installed.
LOCATION:Hall i6 (workshop)
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-71@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Edgar Berdahl:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T080000Z
DTEND:20130510T110000Z
SUMMARY:LAC2013 - Workshop on Making Embedded Musical Instruments and Embedded Installations using Satellite CCRMA
DESCRIPTION:This workshop focuses on teaching participants how to make embedded musical instruments and embedded installations using Satellite CCRMA. By the close of the three-hour workshop\, each participant will complete a new self-contained instrument or installation using a take-home kit\, which is about twice the size of a deck of cards. Beginning and intermediate participants will benefit primarily from being led through a series of basic exercises in using the kit\, while advanced participants may be most interested in discussing how to extend the kits.\n\nSatellite CCRMA is currently based on the powerful Raspberry Pi embedded Linux board\, which executes floating-point instructions natively at 700MHz. Participants will be shown how to run Pure Data (pd) on the board\, but participants are welcome to explore other software available on the Satellite CCRMA memory image. Additional topics include Arduino\, Firmata\, pico projectors\, open-source hardware\, SuperCollider\, and more.
LOCATION:Hall i6 (workshop)
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-77@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Franz Zotter:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Matthias Frank:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T080000Z
DTEND:20130510T092000Z
SUMMARY:LAC2013 - IOSONO
DESCRIPTION:IOSONO develops its multichannel audio interfaces for the control of sound field reproduction under linux. In the workshop\, we will demonstrate their user interface to create spatial audio scenes using different audio\nrendering methods\, such as amplitude panning\, wave field synthesis\, and an Ambisonic panning we were able to develop for IOSONO.\nHereby we start from scratch and show how to specify the loudspeaker locations and how to automatically equalize them using the user interfaces provided by IOSONO when setting up. Audio scene editing is remotely done from the rendering machine by a VST\nplugin in Nuendo that specifies the locations of the different audio tracks in space by OSC commands in real time.\nWe will arrange a small spatial audio composition together and maybe try to control the audio objects via OSC by other interfaces.
LOCATION:IEM CUBE
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-59@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Ludwig Mohr:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Dominik Schmidt-Philipp:MAILTO:no-reply@linuxaudio.org
DTSTART:20130510T123000Z
DTEND:20130510T153000Z
SUMMARY:LAC2013 - Linux/Ardour in a Recording Studio
DESCRIPTION:Currently the Digital Audio Workstation (DAW) in the SPSC Recording Studio is a MS Windows based machine.\nWe want to demonstrate that it is entirely possible to achieve the same workflow and level of integration of the mixing console and the DAW using free software (Linux\, Ardour).\n\nWe plan to provide pre-recorded audio tracks. The workshop itself will consist of an overview over the Linux DAW and its integration into the recording studio and the mixing of the tracks\, in this participants will be able to get a hands-on experience with our setup.\n\nIf possible\, we intend to provide the opportunity of recording overdubs to the existing tracks in order to complete the demonstration of free software in a professional recording studio environment.
LOCATION:SPSC Studio
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-1@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Albert Gräf:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T141000Z
DTEND:20130511T145000Z
SUMMARY:LAC2013 - Creating LV2 Plugins with Faust
DESCRIPTION:The faust-lv2 project aims to provide a complete set of LV2 plugin architectures for the Faust programming language. It currently implements generic audio and MIDI plugins with some interesting features such as Faust MIDI controller mapping\, polyphonic instruments with automatic voice allocation and support for the MIDI tuning standard. You can use these architectures to quickly turn Faust programs into working LV2 audio effects and instrument plugins\, ready to be run with LV2-capable DAWs such as Ardour and Qtractor. The plugin architectures and some helper scripts are now also available in the Faust distribution\, and the Faust online compiler supports these as well.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-3@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Oscar Pablo Di Liscia:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T080000Z
DTEND:20130511T084000Z
SUMMARY:LAC2013 - A Pure Data toolkit for real-time synthesis of ATS spectral data
DESCRIPTION:This paper presents software development and research on the field of digital audio synthesis of spectral data using the Pure Data environment (Miller Puckette et al) and the ATS spectral analysis technique (by Juan Pampin [6]). The ATS technique produces spectral data using a deterministic-plus-stochastic representation. The focus is on the methods by which such data may be real-time read and synthesized using several Pure Data externals developed by the author and others\, as well as on the involved audio synthesis strategies. All the software involved in this development is GNU Licensed and runs under Linux.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-4@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Gianfranco Ceccolini:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Leonardo Germani:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Bruno Gola:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T151000Z
DTEND:20130511T153000Z
SUMMARY:LAC2013 - [Lightning talk] MOD - An LV2 host and processor at your feet
DESCRIPTION:MOD is a linux-based LV2 plugins processor and controller. Musicians access it via bluetooth and setup their pedalboards by making internal digital connections between audio sources\, plugins and audio outputs. \nAfter a pedalboard set is saved\, it can be shared with other users at the MOD Social network. \nThe software components are Open Source\, which means you can also run it on any linux machine\, not only on MOD hardware. \nThe presentation aims to introduce the device to the community and discuss how its development may interact with plugins development and the development of the LV2 standard itself.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-8@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Karl Freiberger:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Stefan Huber:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Peter Meerwald:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T084000Z
DTEND:20130511T092000Z
SUMMARY:LAC2013 - Multi-Channel Noise/Echo Reduction in PulseAudio on Embedded Linux
DESCRIPTION:Ambient noise and acoustic echo reduction are indispensable signal processing\nsteps in a hands-free audio communication system. Taking the signals from\nmultiple microphones into account can help to more effectively reduce disturbing\nnoise and echo. This paper outlines the design and implementation of a\nmulti-channel noise reduction and echo cancellation module integrated in the\nPulseAudio sound system. We discuss requirements\, trade-offs and results\nobtained from an embedded Linux platform.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-9@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Lucas Samaruga:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Oscar Pablo Di Liscia:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T123000Z
DTEND:20130511T131000Z
SUMMARY:LAC2013 - Pitch-class Set design in SuperCollider
DESCRIPTION:The Pitch-class set theory and its extensions constitute an important basis for mastering multi- layered atonal composition. The SuperCollider environment offers significant possibilities of applying this technique in the creation of abstract Pitch-class designs that may be used as a part of more complex algorithmic composition developments. This paper presents pcslib-sc a quark (library) for Pitch-class set design in SuperCollider and an use case in order to demonstrate its musical relevance.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-10@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Øyvind Brandtsegg:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Sigurd Saue:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T131000Z
DTEND:20130511T135000Z
SUMMARY:LAC2013 - Experiments with dynamic convolution techniques in live performance
DESCRIPTION:This article discusses dynamic convolution techniques motivated by the musical exploration of interprocessing between performers in improvised electroacoustic music. After covering some basic challenges with convolution as live performance tool we present experimental work that enables dynamic updates of impulse responses and parametric control of the convolution process. An audio plugin implemented in the open source software Csound and Cabbage integrates the experimental work in a single convolver.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-11@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Alex Hofmann:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Alexander Mayer:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Werner Goebl:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T145000Z
DTEND:20130511T151000Z
SUMMARY:LAC2013 - [Lightning Talk] Towards a live-electronic setup with a sensor-reed saxophone and Csound
DESCRIPTION:This paper presents a setup to pick up saxophone reed vibrations directly\, in an attempt to monitor the saxophone signal without risky feedbackloops despite drastic dynamic manipulations. We prepared synthetic saxophone reeds with strain gauge sensors and proposed a circuit to connect the sensor reed to a line-level soundcard input. Furthermore\, we discussed possible open-source software to emulate classic stompbox effects. Finally\, we presented a Csound instrument design\, that allows on-the-fly\nsignal routing between multiple effects in an ongoing live performance.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-13@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Claude Heiland-Allen:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T094000Z
DTEND:20130511T102000Z
SUMMARY:LAC2013 - Lyapunov Space of Coupled FM Oscillators
DESCRIPTION:I consider two coupled oscillators\, each modulating the other's frequency. This system is governed by four parameters: the base frequency and modulation index for each oscillator. For some parameter values the system becomes unstable. I use the Lyapunov\nexponent to measure the instability. I generate images of the parameter space\, implementing the number crunching on graphics hardware using OpenGL.\nI link the mouse position over the displayed image to realtime audio output\, creating an audio-visual browser for the 4D parameter space.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-24@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Florian Hollerweger:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Martin Rumori:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T102000Z
DTEND:20130511T110000Z
SUMMARY:LAC2013 - Production and Application of Room Impulse Responses for Multichannel Setups using FLOSS Tools
DESCRIPTION:We present the outcomes of a series of room impulse response (IR) measurements. We have recorded binaural\, Ambisonic-encoded and regular stereo/mono IRs of multichannel loudspeaker arrays in various concert halls in Austria\, Northern Ireland\, Germany and New Zealand. The resulting IRs and accompanying documentation have been made publicly available on a website for composers to use in the production and documentation of their multichannel pieces. The paper also discusses several custom-written shell scripts and extensions to the Aliki and Jconvolver software packages\, which we have developed for the production of the presented IRs.
LOCATION:Hall i7 (main venue)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-85@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Rui Nuno Capela:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T094000Z
DTEND:20130511T110000Z
SUMMARY:LAC2013 - Qstuff*: part2
DESCRIPTION:
LOCATION:Hall i6 (workshop)
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2013-63@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Peter Venus:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Marian Weger:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T123000Z
DTEND:20130511T135000Z
SUMMARY:LAC2013 - Extended View Toolkit - Video projection mapping with Linux/Pd
DESCRIPTION:The workshop should enable people to work with the Extended View Toolkit.\nThe ExtendedViewToolkit serves as a multi-platform solution for projection-mapping with scene-based control and automation features. It is based on Puredata/GEM. The toolkit is a set of abstractions for combining multiple video or image sources into a panoramic image and for projection mapping setups with multiple projectors or projection environments with challenging geometric forms.
LOCATION:Hall i6 (workshop)
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-41@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Jeremy Jongepier:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T080000Z
DTEND:20130511T092000Z
SUMMARY:LAC2013 - Using your electric guitar with Linux
DESCRIPTION:Almost 20 years of experience with playing guitar and over 10 years of Linux experience\, one day that just had to come together. With the advent of guitarix\, a virtual guitar amplifier for Linux\, this became reality and coupled with the modularity of the Linux audio ecosystem a whole plethora of possibilities became accessible. In this workshop I will show the current possibilities for a guitarist with Linux audio in a hands-on\, live setting.
LOCATION:IEM CUBE
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-55@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Michal Seta:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Nicolas Bouillot:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T141000Z
DTEND:20130511T153000Z
SUMMARY:LAC2013 - Building distributed graph of live audio/video/data streaming with switcher/shmdata\, puredata and your application
DESCRIPTION:Switcher is a new modular streaming engine for telepresence applications. It relies heavily on shmdata\, a library enabling real time sharing of data flows between applications. shmdata\, is able to share audio\, video and any standard or custom buffer of data. Switcher and shmdata are based on the GStreamer framework and has already been used for 3D telepresence installation where remote participants were captured in real-time as point clouds with lip-synchronized audio. \n\n\nThe workshop will introduce switcher/shmdata and the Puredata shmsrc~ and shmsink~ externals. Participants will learn how to build a networked graph involving multichannel audio (with synchronized video and data) where each node in the graph can process audio with Puredata. \n\n\nSwitcher and shmdata library are developed by Nicolas Bouillot at the Society for Arts and Technology [SAT] in Montreal\, Canada\, and is supported by funds from the Ministère du Développement Economique\, de l'Innovation et de l'Exportation du Québec.
LOCATION:IEM CUBE
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-69@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=Jörn Nettingsmeier:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T094000Z
DTEND:20130511T110000Z
SUMMARY:LAC2013 - Take it or Fake it - Spatial miking techniques and post-production spatialisation tricks for recordists
DESCRIPTION:A workshop on stereo miking techniques for musicians and recording amateurs\, to explore ways to capture a natural ambience if the room is good\, or\, under adverse acoustic conditions\, to obtain a dry enough recording so that a convincing spatial impression can be faked in post-production.\n\n\nParticipants are encouraged to bring their own laptop and headphones with Ardour3 or another DAW of their choice and a selection of generic signal processing plugins pre-installed. After some introductory remarks on various microphone techniques and a plenary demo over loudspeakers\, I will distribute example audio snippets for everybody to play with and dissect.\n\n\nParticipants are also encouraged to bring problem recordings of their own for us to discuss\, where they attempted to record and/or synthesize spaces and found the result unsatisfactory.
LOCATION:IEM CUBE
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-82@linuxaudio.org
DTSTAMP:20140611T184023Z
ATTENDEE;ROLE=CHAIR;CN=IOhannes m zmölnig:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Peter Plessas:MAILTO:no-reply@linuxaudio.org
DTSTART:20130511T153000Z
DTEND:20130511T155000Z
SUMMARY:LAC2013 - Closing Ceremony and Group Photo
DESCRIPTION:
LOCATION:Hall i7 (main venue)
CATEGORIES:(misc event)
END:VEVENT
BEGIN:VEVENT
UID:lac2013-27@linuxaudio.org
DTSTAMP:20140611T184023Z
DTSTART:20130512T090000Z
DTEND:20130512T150000Z
SUMMARY:LAC2013 - Excursion
DESCRIPTION:The final event of the conference will be a trip to the beautiful south-eastern Styrian countryside\, renowned for its vineyards and pumpkin seed oil...
LOCATION:Hall i7 (main venue)
CATEGORIES:(misc event)
END:VEVENT
BEGIN:VEVENT
UID:lac2013-1000@linuxaudio.org
DTSTAMP:20140611T184023Z
DTSTART:20130509T160000Z
DTEND:20130509T170000Z
SUMMARY:LAC2013 - Opening Concert
DESCRIPTION:
LOCATION:IEM CUBE
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2013-1001@linuxaudio.org
DTSTAMP:20140611T184023Z
DTSTART:20130509T190000Z
DTEND:20130509T203000Z
SUMMARY:LAC2013 - Concert Postgarage
DESCRIPTION:
LOCATION:Postgarage
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2013-1002@linuxaudio.org
DTSTAMP:20140611T184023Z
DTSTART:20130510T173000Z
DTEND:20130510T180000Z
SUMMARY:LAC2013 - Exhibition/vernisage
DESCRIPTION:
LOCATION:ESC im LABOR
CATEGORIES:Installation/Loop
END:VEVENT
BEGIN:VEVENT
UID:lac2013-1003@linuxaudio.org
DTSTAMP:20140611T184023Z
DTSTART:19700101T000000Z
DTEND:19700101T020000Z
SUMMARY:LAC2013 - Concert
DESCRIPTION:
LOCATION:ESC im LABOR
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2013-1004@linuxaudio.org
DTSTAMP:20140611T184023Z
DTSTART:20130511T180000Z
DTEND:20130511T200000Z
SUMMARY:LAC2013 - Sound Night
DESCRIPTION:
LOCATION:Forum Stadtpark
CATEGORIES:Concert
END:VEVENT
END:VCALENDAR