Conference Schedule / Archive
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Rob Canning, Florian Hollerweger, David Pirrò, Martin Rumori, IOhannes m zmölnig » Location: Mumuth
The score for Parallaxis is in four parts and can be played on any four melodic instruments. Multiple quartets may perform simultaneously under the direction of one or more directors.
The music notation is presented to the performers through the authors web-based score playback system. This allows performers to interact with the score and to make decisions regarding the preparation of a "version" before a performance. There is also the possibility of live interventions during a performance by a "Director/Conductor".
The score adopts a "scrolling score" paradigm, this combined with graphic notation allows the score to be interpreted by musicians without strict "classical" training. The individually controllable scrolling score's "parts" allows a high degree of coordinated ensemble playing (complex poly-rhythms etc.) regardless of the musicians experience in such ensemble styles.
The music notation is presented to the performers through the authors web-based score playback system. This allows performers to interact with the score and to make decisions regarding the preparation of a "version" before a performance. There is also the possibility of live interventions during a performance by a "Director/Conductor".
The score adopts a "scrolling score" paradigm, this combined with graphic notation allows the score to be interpreted by musicians without strict "classical" training. The individually controllable scrolling score's "parts" allows a high degree of coordinated ensemble playing (complex poly-rhythms etc.) regardless of the musicians experience in such ensemble styles.
Day 3 - Saturday, May/11 12:20 Production and Application of Room Impulse Responses for Multichannel Setups using FLOSS Tools - Paper Presentation
(40 min) Florian Hollerweger, Martin Rumori » Location: Hall i7 (main venue)
We present the outcomes of a series of room impulse response (IR) measurements. We have recorded binaural, Ambisonic-encoded and regular stereo/mono IRs of multichannel loudspeaker arrays in various concert halls in Austria, Northern Ireland, Germany and New Zealand. The resulting IRs and accompanying documentation have been made publicly available on a website for composers to use in the production and documentation of their multichannel pieces. The paper also discusses several custom-written shell scripts and extensions to the Aliki and Jconvolver software packages, which we have developed for the production of the presented IRs.
The schedule is a major guideline. There is no guarantee events will take place at the announced timeslot.