BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//linuxaudio.org/LAC2010//NONSGML v1.0//EN
BEGIN:VEVENT
UID:lac2010-20@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Andrés Cabrera:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T084500Z
DTEND:20100501T093000Z
SUMMARY:LAC2010 - QuteCsound\, a Csound Frontend
DESCRIPTION:QuteCsound is a front-end application for Csound written using the Qt toolkit. It has been developed since 2008\, and is now part of the Csound distribution for Windows and OS X. It is a code editor for Csound\, and provides many features for real-time control of the Csound engine\, through graphical control interfaces and live score processing.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-33@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Fons Adriaensen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T093000Z
DTEND:20100501T101500Z
SUMMARY:LAC2010 - The WFS system at La Casa del Suono\, Parma
DESCRIPTION:At the start of 2009 a 189-channel Wave Field Synthesis system was installed at the Casa del Suono in Parma\, Italy. All audio and control processing required to run the system is performed by four Linux machines. The software used is a mix of standard Linux audio applications and some new ones developed specially for this installation. This paper discusses the main technical issues involved\, including sections on the audio hardware\, the digital signal processing algorithms\, and the software used to control and manage the system.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-27@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Sampo Savolainen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T101500Z
DTEND:20100501T110000Z
SUMMARY:LAC2010 - Emulating a Combo Organ Using Faust
DESCRIPTION:This paper describes the working principles of a 40 year old transistor organ and how it is emulated with software. The emulation presented in this paper is open source and written in a functional language called Faust. The architecture of the organ proved to be challenging for Faust. The process of writing this emulation highlighted some of Faust's strengths and helped identify ways to improve the language.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-121@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Lennart Poettering:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T120000Z
DTEND:20100501T130000Z
SUMMARY:LAC2010 - Pro Audio is Easy\, Consumer Audio is Hard
DESCRIPTION:Audio Production and consumer audio share a lot of infrastructure -- however there are a number of major differences. While for audio production environments reliable low latencies are key\, dynamic reconfigurable routing unimportant and power management irrelevant\, for consumer audio (i.e. desktop and mobile)\, latencies and routing must be dynamically reconfigurable and power consumption minimized. This has the effect that a good consumer audio stack must adjust much more dynamically\, flexibly and seamlessly to its current workload than a pro audio stack. Buffer sizes/latencies (up to 2s!) must be changed dynamically\, the whole audio pipeline must be able to "rewind" its playback position if needed so that long buffers do not result in slow reaction to user input\, and unreliable clients with different latency requirements must be handled at the same time. This makes it necessary to leave the limited domain of the sound card clock and schedule audio with the system clock\, which of course adds major complexities due to the required estimation of deviation.\nHence one can argue that while an idealized pro audio stack could be modelled as a set of one-way fixed-speed FIFO buffers\, a consumer audio stack needs to be modelled as buffers that can be rewound\, dynamically changed in size and run with varying speeds\, in addition to many other additional complexities.\nIn this talk I hope to explain a little how the consumer audio stack works\, how it is different from the pro audio stack\, where the complexities are\, where we can share technology\, where we cannot\, where we should\, and where we shouldn't.\nOf course\, the title of this talk is a bit exaggerated to catch your attention. However\, there's some truth to it\, and in this talk you might hopefully learn why I believe that.\n\nLennart Poettering works for Red Hat's desktop group and is to blame \;-) for stuff like PulseAudio and more.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-23@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Kjetil Matheussen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T130000Z
DTEND:20100501T134500Z
SUMMARY:LAC2010 - Implementing a Polyphonic MIDI Software Synthesizer using Coroutines\, Realtime Garbage Collection\, Closures\, Auto-Allocated Variables\, Dynamic Scoping\, and Continuation Passing Style Programming
DESCRIPTION:This paper demonstrates a few programming techniques for low-latency sample-by-sample audio programming. Some of them may not have been used for this purpose before. The demonstrated techniques are: Realtime memory allocation\, realtime garbage collector\, storing instrument data implicitly in closures\, auto-allocated variables\, handling signal buses using dynamic scoping\, and continuation passing style programming.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-38@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Graham Wakefield:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Charles Roberts:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Wesley Smith:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T134500Z
DTEND:20100501T143000Z
SUMMARY:LAC2010 - LuaAV: Extensibility and Heterogeneity for Audiovisual Computing
DESCRIPTION:We describe LuaAV\, a runtime library and application which extends the Lua programming language to support computational composition of temporal\, sound\, visual\, spatial and other elements. In this paper we document how we have attempted to maintain several core principles of Lua itself - extensibility\, meta-mechanisms\, efficiency\, portability - while dealing with the complex temporal demands of flexibility and accuracy inherent to the context of audio-visual interactive media arts and research. Code generation is noted as a recurrent strategy for increasingly dynamic and extensible environments.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-22@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Stefan Kost:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T143000Z
DTEND:20100501T151500Z
SUMMARY:LAC2010 - Writing Audio Applications using GStreamer
DESCRIPTION:GStreamer is mostly known for its use in media players. Although the API and the plugin collection has much to offer for audio composing and editing applications as well. This paper introduces the framework\, focusing on features interesting for audio processing applications. The author reports about practical experience of using GStreamer inside the Buzztard project.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-106@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Yann Orlarey:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T120000Z
DTEND:20100501T134500Z
SUMMARY:LAC2010 - Developing parallel audio applications with FAUST
DESCRIPTION:While the number of cores of our CPUs is expected to double every new generation\, writing efficient parallel applications that can benefit from all these cores\, remain a complex and highly technical task. The problem is even more complex for real-time audio applications that require low latencies and thus relatively fine-grained parallelism.\nIn order to facilitate the development of parallel audio application\, the FAUST compiler developed at GRAME provides two powerful options to automatically produce parallel code. The first one is based on the OpenMP standard\, while the second one uses Posix pthreads directly. This hands on demo will give the audience the opportunity to discover these parallelization facilities\, their limits and their benefits\, on concrete examples of audio applications.
LOCATION:3.10 - Work room
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-140@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Lennart Poettering:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T140000Z
DTEND:20100501T151500Z
SUMMARY:LAC2010 - Pro Audio vs. Consumer Audio: Discussion & Work Group
DESCRIPTION:
LOCATION:3.10 - Work room
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-111@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Lieven Moors:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T083000Z
DTEND:20100501T110000Z
SUMMARY:LAC2010 - A bird's-eye view on Linux Audio I
DESCRIPTION:A comprehensive overview of Linux Audio and other Open Source Music Applications with several live music demos. Interesting for beginners as well as advanced users. The workshop is centered around three musicians playing live: violin\, piano and guitar.
LOCATION:5.13 - HKU Hacker Space
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-112@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Lieven Moors:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T130000Z
DTEND:20100501T144500Z
SUMMARY:LAC2010 - A bird's-eye view on Linux Audio II
DESCRIPTION:A comprehensive overview of Linux Audio and other Open Source Music Applications with several live music demos. Interesting for beginners as well as advanced users. The workshop is centered around three musicians playing live: violin\, piano and guitar.
LOCATION:5.13 - HKU Hacker Space
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-149@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T183000Z
DTEND:20100501T185000Z
SUMMARY:LAC2010 - Code Livecode Live
DESCRIPTION:Livecoding the manipulation of the sound of livecoding\, causing side effects\, which are live coded to manipulate the sound of livecoding\, causing side effects\, which are live coded to manipulate the sound of livecoding\, which are live coded to manipulate the sound of livecoding\, causing side effects\, which are live coded to manipulate the sound of livecoding\, which are live coded to manipulate the sound of livecoding\, causing side effects\, which are live coded to manipulate the sound of livecoding\, ...
LOCATION:SETUP (MediaLab)
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-151@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Pieter Suurmond:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=IOhannes m zmölnig:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T183000Z
DTEND:20100501T190000Z
SUMMARY:LAC2010 - TBA - Pd livecoding
DESCRIPTION:PD live coding and/or competition
LOCATION:SETUP (MediaLab)
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-162@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100501T070000Z
DTEND:20100501T080000Z
SUMMARY:LAC2010 - Coffee & Registration
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-103@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T080000Z
DTEND:20100501T084500Z
SUMMARY:LAC2010 - Opening & Announcements
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-117@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100501T151500Z
DTEND:20100501T154500Z
SUMMARY:LAC2010 - Wrap up I
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-141@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100501T110000Z
DTEND:20100501T120000Z
SUMMARY:LAC2010 - Lunch
DESCRIPTION:
LOCATION:2.07 - Canteen
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-34@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Joachim Heintz:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T080000Z
DTEND:20100502T084500Z
SUMMARY:LAC2010 - Re-Generating Stockhausen's
DESCRIPTION:Stockhausen's "Studie II" (1954) is one of the classical works of electronic music. Written at a time when Computers played no role in the production of sound\, it exhibits a way of composing which is quite similar to programming. This can be shown by re-programming the complete piece just with the input of five numbers. Beside this reduction - which is made in Csound - the compositorial decisions come to the fore\, showing a flexibility and variability of algorithms which can be inspiring and challenging still today.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-15@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=John Kacur:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T084500Z
DTEND:20100502T093000Z
SUMMARY:LAC2010 - How the Real-Time Kernel Helps Audio and Video Applications
DESCRIPTION:Many of the Linux Distributions that are dedicated to audio and video make use of the Linux real-time kernel. This paper explores some of the advantages and disadvantage of using real-time. It explains how the real-time kernel achieves latency and shows how user-­space can take advantage of real-time capabilities. This talk is presented by one of the real-time kernel programmers\, and gives an overview of the real-time kernel for audio and video.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-5@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Jörn Nettingsmeier:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T093000Z
DTEND:20100502T101500Z
SUMMARY:LAC2010 - General-purpose Ambisonic playback systems for electroacoustic concerts - a practical approach
DESCRIPTION:Concerts of electroacoustic music usually feature works written for various speaker layouts. Except in the most luxurious of circumstances\, this implies compromises in placement\, frequent interruptions of the concert experience to relocate speakers\, and/or error­prone equipment rewiring or reconfiguration during the concert.  To overcome this\, an Ambisonic higher­order playback system can be used to create virtual speakers at any position as mandated by the compositions. As a bonus\, the performer can then be given realtime control of the source positions in addition to their levels\, increasing the creative freedom of live sound diffusion.  Deployments at LAC 2009 and the 2009 DEGEM concert at musikFabrik in Cologne have yielded very good results and been met with general approval. More detailed listening tests are scheduled and will be reported upon.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-17@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Stephane Letz:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Yann Orlarey:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Dominique Fober:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T101500Z
DTEND:20100502T110000Z
SUMMARY:LAC2010 - Work Stealing Scheduler for Automatic Parallelization in Faust
DESCRIPTION:Faust 0.9.10 introduces an alternative to OpenMP based parallel code generation using on a Work Stealing Scheduler and explicit management of worker threads. This paper explains the new option and presents some benchmarks.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-101@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Jeroen van Iterson:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Marcel Wierckx:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T123000Z
DTEND:20100502T131500Z
SUMMARY:LAC2010 - Education on music and technology
DESCRIPTION:We describe the development and the maintenance of a program for a professional education at Utrecht School of Music and Technology. The program covers most of the field and offers various degrees up to PhD level. The program was developed over the last 23 years and is updated on a yearly basis. We deliver about 80 graduates a year to work\, survive and keep up with developments. 92 % of our students develop a healthy career after graduation. Music technology as a field of studies is in constant and rapid development and because of that the characteristics of "the professional" in the field are changing very rapidly too. For this reason we have built in mechanisms to enforce regular updates of the program and to develop the knowledge and skills of the teaching staff.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-35@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Hans Roels:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T131500Z
DTEND:20100502T140000Z
SUMMARY:LAC2010 - Using open source music software to teach live electronics in pre-college music education
DESCRIPTION:A basic course of live electronics is needed in pre-college music education to enable children to learn how to perform on a digital musical instrument.  This paper describes the basic components of such a live electronic course\, examines whether open source music software is suited to realize these components and finally presents Abunch\, a library in Pure Data created by the author\, as a solution for the potential educational disadvantages of open source music software.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-100@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Maarten Brinkerink:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T140000Z
DTEND:20100502T144500Z
SUMMARY:LAC2010 - Open Images: Creative reuse of audiovisual content
DESCRIPTION:Open Images (www.openimages.eu) is an open media platform that offers online access to audiovisual archive material to stimulate creative reuse. Footage from audiovisual collections can be downloaded and remixed into new works. Users of Open Images also have the opportunity to add their own material to the platform and thus expand the collection. Open Images also provides an API\, making it easy to develop mashups.\nAccess to the material on Open Images is provided under the Creative Commons licensing model. Creative Commons gives authors\, artists\, scientists and teachers the freedom to approach their copyright in a more flexible manner and make their work available in a way they can choose themselves.\n The "open" nature of the platform is underscored by the use of open video formats (Ogg Theora)\, open standards (HTML5\, OAI-PMH) and open source software components. Furthermore\, all software that is developed within the scope of Open Images will also be released under the GNU General Public License.\n\n Open Images is an initiative of the Netherlands Institute for Sound and Vision in collaboration with Knowledgeland. By the end of 2009 Open Images offers access to over 450 Polygoon items from the Sound and Vision archives. The collection will grow substantially over the coming years\; as new items will be uploaded continuously.\nEverybody is more than welcome to add material to the platform\, ­not only collection institutes and producers\, but all netizens creating new materials based on Open Images fragments and items from other open repositories.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-102@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Björn Wijers:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T144500Z
DTEND:20100502T153000Z
SUMMARY:LAC2010 - Open Media / Creative Commons
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-169@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Bertus van Dalen:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Alexander Mooij:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T093000Z
DTEND:20100502T110000Z
SUMMARY:LAC2010 - Download problem solved
DESCRIPTION:"Download Problem Solved" is a discussion group and think tank involved with issues the media and entertainment industry are currently dealing with: easy downloading\, sharing\, copyright infringement and plummeting sales. The main goals of this initiative are to bring the matter back to its core and to find practical solutions.\n Before the Linux Audio Conference starts\, there have already been two workshops in which we have taken a look at the wants in both supply and demand from the views of the consumer\, composer/producer and the distributer. The third and final session of the DPS pilot will take place during the Linux Audio Conference. We will present our ideas and views on the subject\, how they arrived from the previous sessions and are hoping to get constructive feedback from the Linux Audio community with its long standing background in business models based around free and open ideas. There will be plenty of time for a discussion.
LOCATION:2.02 - Semi College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-108@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Jan Trutzschler:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Henry Vega:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Jan-Kees van Kampen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T083000Z
DTEND:20100502T110000Z
SUMMARY:LAC2010 - Supercollider advanced
DESCRIPTION:For more advanced users of SuperCollider we offer another workshop covering specific advanced topics. Topics could include:\n* Input and output to devices or other programs\n* Patterns (a different paradigm of composing based on musical sequences)\n* Extending SuperCollider (writing your own classes)\n* Livecoding with SuperCollider\n* Using the JITLib\n\nFor this workshop\, please sign up\, and let us know what topics you would like to see covered.
LOCATION:5.13 - HKU Hacker Space
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-109@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Jan Trutzschler:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Henry Vega:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Jan-Kees van Kampen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T123000Z
DTEND:20100502T143000Z
SUMMARY:LAC2010 - Supercollider beginners
DESCRIPTION:Take the first steps in SuperCollider!\n\nSuperCollider has been up and running on Linux since shortly after it was released as open source software. In the past two years\, it has become really easy to install on Linux\, and is packaged in distributions such as PlanetCCRMA and Pure:Dyne. On Linux there is a choice between three editors: emacs\, vim and gedit.
LOCATION:5.13 - HKU Hacker Space
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-171@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Daan van Hasselt:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Nolan Smeets:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Joeri Jager:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T110000Z
DTEND:20100502T113000Z
SUMMARY:LAC2010 - Multi-touch table with surround sound
DESCRIPTION:Three students Music and Technology present octofonic music with live ambisonic spatialisation via a multitouch screen
LOCATION:SETUP (MediaLab)
CATEGORIES:Installation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-152@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Kassen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T113000Z
DTEND:20100502T120000Z
SUMMARY:LAC2010 - Chuck Demo - Lunch Concert
DESCRIPTION:
LOCATION:SETUP (MediaLab)
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-147@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Fernando Lopez-Lezcano:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T183000Z
DTEND:20100502T184900Z
SUMMARY:LAC2010 - A Very Fractal Cat\, Somewhat T[h]rilled
DESCRIPTION:A Very Fractal Cat\, Somewhat T[h]rilled (2008-2010)\n This is the latest version of the second piece (after "Cat Walk") of a series of algorithmic performance pieces for pianos\, computer and "cat" that I started working on at the end of 2007 (the proverbial cat walking on a piano keyboard). The performer connects through a keyboard controller\, four pedals and two modulation wheels to four virtual pianos both directly and through algorithms. Through the piece different note and phrase generation algorithms are triggered by the performer's actions\, including markov chains that the virtual cat uses to learn from the performer\, fractal melodies\, plain scales and trills and other even simpler algorithms. The sound of the pianos is heard directly\, and is also processed using spectral\, granular and other synthesis techniques at different points in the performance\, creating spaces through which the performer moves. A surround environment is created with Ambisonics spatialization\, and everything in the piece (algorithms\, sound generation and processing and graphical user interface) was written in the SuperCollider language.\n "A Very Fractal Cat\, Somewhat T[h]rilled" is a piece for performer (a classically trained pianist)\, four virtual pianos\, an optional midi controlled player piano (Disklavier or similar)\, and computer-based sound processing and synthesis.\n The performer uses a weighted 88 note keyboard controller\, four pedals and two modulation wheels to connect directly and through a program to four virtual pianos and a player piano that render both the notes the performer plays and derived materials created in real-time by the program. The computer processing involves algorithmic generation of additional note and control events and sound synthesis\, processing and spatialization of the resulting audio streams. The virtual pianos used include a Yamaha C7\, Steinway\, Bosendorfer and a Cage prepared piano.\n Sound processing includes granular synthesis and frequency domain transformations that affect (in certain sections of the piece) the sound of the virtual pianos. Additive synthesis is sometimes used to augment and emphasize the pianos sounds.\n The piece has been (and still is) evolving since the end of 2008 when the first versions of the program and score were created. It has been performed in concert several times and a previous (older) version was submitted and performed in the LAC2009 concerts.
LOCATION:Kikker
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-148@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Augusto Meijer:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T183000Z
DTEND:20100502T185000Z
SUMMARY:LAC2010 - Landschappen
DESCRIPTION:'Landschappen' ('Landscapes') is a spacious tape piece\, meant to be a sonic representation of Dutch Landscapes. There is a lot of inspiration & admiration to find in these endlessly flat\, empty spaces. There's been a need to express these landscapes in music because of this.\n So\, it is really these typical impressions of emptiness and endlessness in Dutch landscapes\, which form the basic concept of the piece.\n http://augustomeijer.wordpress.com\nDance:\n * Drosula Tsangaratou\n * Arianna Cattini\nVideo:\n * Michael Djaparidze\n
LOCATION:Kikker
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-150@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Laurens van der Wee:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T183000Z
DTEND:20100502T184000Z
SUMMARY:LAC2010 - The Cake - Concert
DESCRIPTION:The Cake is a sound based improvisation machine
LOCATION:Kikker
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-163@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100502T070000Z
DTEND:20100502T080000Z
SUMMARY:LAC2010 - Coffee & Registration
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-118@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T153000Z
DTEND:20100502T154500Z
SUMMARY:LAC2010 - Wrap up II
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-168@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Andrés Cabrera:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Kassen:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Yann Orlarey:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Pieter Suurmond:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=IOhannes m zmölnig:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Pau Arumí:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T144500Z
DTEND:20100502T153000Z
SUMMARY:LAC2010 - Tools (outcome)
DESCRIPTION:Short presentation of the results of the round table session about DSP tools
LOCATION:2.02 - Semi College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-120@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Andrés Cabrera:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Kassen:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Yann Orlarey:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Pieter Suurmond:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=IOhannes m zmölnig:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Pau Arumí:MAILTO:no-reply@linuxaudio.org
DTSTART:20100502T080000Z
DTEND:20100502T103000Z
SUMMARY:LAC2010 - Tools - Round Table
DESCRIPTION:An expert group performs a comparative study of several sound processing tools. Tools possibly incluced in the study: Pure Data\, Supercollider\, CSound\, ChucK\, FAUST\, CLAM\, Nyquist\, Common Music and Fluxa. The outcome is presented later that day.
LOCATION:4.11 - Work room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-24@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Frank Barknecht:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T084500Z
DTEND:20100503T093000Z
SUMMARY:LAC2010 - Applications of Blocked Signal Processing (BSP) in Pd
DESCRIPTION:Sample processing in Pure Data generally is block-based\, while control or message data are computed one by one. Block computation in Pd can be suspended or blocked to save CPU cycles. Such "blocked signals" can be used as an optimization technique for computation of control data. This paper explores possible applications for this "Blocked Signal Processing" (BSP) technique.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-25@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Reinhold Kainhofer:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T093000Z
DTEND:20100503T101500Z
SUMMARY:LAC2010 - OrchestralLily: A Package for Professional Music Publishing with LilyPond and LaTeX
DESCRIPTION:LilyPond [Nienhuys and et al.\, 2010] and   LaTeX provide excellent free tools to produce professional music scores ready for print and sale. Here we present the OrchestralLily package for LilyPond\, which simplifies the creation of professional music scores with LilyPond and LaTeX even further. All scores are generated on-the-fly without the need to manually specify the structure for each individual score or part.  Additionally\, a LaTeX package for the prefatory matter is available and a templates system to create all files needed for a full edition is implemented.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-36@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Fernando Lopez-Lezcano:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Jason Sadural:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T101500Z
DTEND:20100503T110000Z
SUMMARY:LAC2010 - Openmixer: a routing mixer for multichannel studios
DESCRIPTION:The Listening Room at CCRMA\, Stanford University is a 3D studio with 16 speakers (4 hang from the ceiling\, 8 surround the listening area at ear level and 4 more are below an acoustically transparent grid floor). We found that a standard commercial digital mixer was not the best interface for using the studio. Digital mixers are complex\, have an opaque interface and they are usually geared towards mix­down to stereo instead of efficiently routing many input and output channels.  We have replaced the mixer with a dedicated computer running Openmixer\, an open source custom program designed to mix and route many input channels into the multichannel speaker array available in the Listening Room. This paper will describe Openmixer\, its motivations\, current status and future planned development.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-29@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T124500Z
DTEND:20100503T133000Z
SUMMARY:LAC2010 - 5 years of using SuperCollider in real-time interactive performances and installations - retrospective analysis of Schwelle\, Chronotopia and Semblance
DESCRIPTION:Collaborative\, interactive performances and installations are a challenging coding environment. SuperCollider is an especially flexible audio programming language suitable to use in this context\; and in this paper I will reflect on 5 years of working with this language in three professional projects\, involving dance and interactive environments. I will discuss the needs and context of each project\, common problems encountered and the solutions as I have implemented them for each project\, as well as the resulting tools that have been published online.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-37@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Andrew Schmeder:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=David Wessel:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Adrian Freed:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T133000Z
DTEND:20100503T141500Z
SUMMARY:LAC2010 - Best Practices for Open Sound Control
DESCRIPTION:The structure of the Open Sound Control (OSC) content format is introduced with historical con- text. The needs for temporal synchronization and dynamic range of audio control data are described in terms of accuracy\, precision\, bit-depth\, bit-rate\, and sampling frequency. Specific details are given for the case of instrumental gesture control\, spa- tial audio control and synthesis algorithm control.  The consideration of various transport mechanisms used with OSC is discussed for datagram\, serial and isochronous modes. A summary of design approaches for describing audio control data is shown\, and the case is argued that multi-layered information-rich representations are necessary.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-30@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Albert Gräf:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T141500Z
DTEND:20100503T150000Z
SUMMARY:LAC2010 - Term Rewriting Extension for the Faust Programming Language
DESCRIPTION:This paper discusses a term rewriting extension for the functional signal processing language Faust. The extension equips Faust with a hygienic macro processing facility. Faust macros can be used to define complicated\, parameterized block diagrams\, and perform arbitrary symbolic manipulations of block diagrams. Thus they make it easier to create elaborate signal processor specifications involving many complicated components.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-104@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Kassen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T084500Z
DTEND:20100503T111500Z
SUMMARY:LAC2010 - Chuck
DESCRIPTION:A session on the ChucK programming language. How a more intimate familiarity with the workings behind synthesis can increase our options and how a DIY approach to instruments may force us to think more deeply about what we ourselves want\, musically (as opposed to what's offered commercially).
LOCATION:3.10 - Work room
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-174@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Florian Faber:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T143000Z
DTEND:20100503T151500Z
SUMMARY:LAC2010 - DeMuxing: How to get things done
DESCRIPTION:Introduction to transcoding tools.\nHands on tutorial on the workflow of Audio/Video data from acquisition to venue.
LOCATION:4.11 - Work room
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-113@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Jörn Nettingsmeier:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T090000Z
DTEND:20100503T103000Z
SUMMARY:LAC2010 - A pop production in ambisonics: Using ambisonics as a production format in ardour
DESCRIPTION:Paper-presentation & hands-on workshop.\nThe paper describes a pop production in mixed-order Ambisonics\, with an ambient sound field recording augmented with spot microphones panned in third order.  After a brief introduction to the hard- and software toolchain\, a number of miking and blending techniques will be discussed\, geared towards the capturing (or faking of) subtle natural ambience and good imaging. I will then describe the expected struggle to make the resulting mix loud enough for commercial use while retaining a natural and pleasant sound stage and as much dynamics as possible.
LOCATION:5.13 - HKU Hacker Space
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-107@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Micz Flor:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Adam Thomas:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T123000Z
DTEND:20100503T150000Z
SUMMARY:LAC2010 - Making Waves
DESCRIPTION:A workshop introducing Campcaster\, an open source radio management application for use by both small and large radio stations (yes\, real radio stations\, not internet radio) to schedule radio shows.\nLearn the first steps of operating a radio station\, including scheduling\, live studio broadcast\, play-out and even remote automation and networking via the web\, all using free software. The workshop will take participants through hardware set-ups\, software installations and studio configurations\, resulting in the creation of a fully-functioning Linux Audio Conference station.\nThe workshop will be led by Micz Flor and Adam Thomas\, key members of Sourcefabric. Sourcefabric is a new organisation formed by the team behind Campcaster\, which has been developing open source solutions for independent media in developing countries for more than 10 years.\nNumber of places: 8\nRequirements: Ideally\, but not essentially\, participants should bring their own laptop with Linux installed\nLinks:\n* http://www.sourcefabric.org\n* http://campcaster.campware.org/\nCampcaster packages are available for Debian and Ubuntu (Lucid and Karmic) at http://robin.linuxaudio.org/deb/
LOCATION:5.13 - HKU Hacker Space
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-160@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Louigi Verona:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T113000Z
DTEND:20100503T114500Z
SUMMARY:LAC2010 - Playing music lazily on the bank of a river while listening to the bells of a far away city - Lunch Concert
DESCRIPTION:Using loops and a midi controller with an Irish low whistle played live.
LOCATION:SETUP (MediaLab)
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-161@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Andrés Cabrera:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T114500Z
DTEND:20100503T120000Z
SUMMARY:LAC2010 - CSound demo
DESCRIPTION:Demonstration of CSound
LOCATION:SETUP (MediaLab)
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-142@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T190000Z
DTEND:20100503T193000Z
SUMMARY:LAC2010 - SC Live Coding Olympics
DESCRIPTION:Concept of the Olympic Games livecoding environment\n Going back to the original Olympic thought of participating is more important than winning\, and drawing on ancient Greek tradition of consulting an Oracle to find a new path in life\, or gain advice on the path one has taken...\n The OlympicGames provide a collaborative\, playful competitive livecoding environment\, where participants are given alternating a set of UGens to write a SynthDef with\, or a set of Pattern elements to write a Pattern with.\n The executed code of all participants is visible\, both to the audience (by displaying its screen with a projector) and to all participants. So every participant can modify code others have come up with.
LOCATION:SJU Jazzpodium - Club
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-143@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Rutger Muller:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T190000Z
DTEND:20100503T193000Z
SUMMARY:LAC2010 - TBA -Rutger
DESCRIPTION:
LOCATION:SJU Jazzpodium - Club
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-146@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Than van Nispen tot Pannerden:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T190000Z
DTEND:20100503T191500Z
SUMMARY:LAC2010 - Composition Competetion - Live Show
DESCRIPTION:
LOCATION:SJU Jazzpodium - Club
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-164@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100503T080000Z
DTEND:20100503T083000Z
SUMMARY:LAC2010 - Coffee
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-173@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T083000Z
DTEND:20100503T084500Z
SUMMARY:LAC2010 - Announcements
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-139@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T150000Z
DTEND:20100503T153000Z
SUMMARY:LAC2010 - Wrap up III
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-170@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Jörn Nettingsmeier:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Robin Gareus:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Daniel James:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Frank Neumann:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T133000Z
DTEND:20100503T143000Z
SUMMARY:LAC2010 - Future of LAC & linuxaudio.org - Round Table
DESCRIPTION:"Linux Audio" is no longer an appropriate description for the linuxaudio.org endeavours: It already grew beyond GNU/Linux and overwhelming resonance from the video-crowd to our call for help for the stream-team made us wonder whether this should be the last conference with only "Audio" in the title..\nThis open discussion will also address the conflicting interests of Developers vs. Artists related to the conference in particular as well as the [LinuxAudio] consortium in general.
LOCATION:3.10 - Work room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-114@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Than van Nispen tot Pannerden:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T123000Z
DTEND:20100503T143000Z
SUMMARY:LAC2010 - Composition Competition
DESCRIPTION:
LOCATION:4.11 - Work room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-115@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Robin Gareus:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Daniel James:MAILTO:no-reply@linuxaudio.org
DTSTART:20100503T120000Z
DTEND:20100503T123000Z
SUMMARY:LAC2010 - GPG & SSL-CA Key Signing
DESCRIPTION:Key-signing parties serve to extend the web of trust to a great degree.\nGPG/PGP: A key-signing party or meeting is a get-together of at least two individuals who use the PGP encryption system with the purpose of allowing them to sign each others keys.\nSSL-CA: linuxaudio.org serves as a certificate authority for the LAD community. This seems more useful than just having everyone sign their own certs.
LOCATION:5.13 - HKU Hacker Space
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-19@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Reinhold Kainhofer:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T084500Z
DTEND:20100504T093000Z
SUMMARY:LAC2010 - A MusicXML Test Suite and a Discussion of Issues in MusicXML 2.0
DESCRIPTION:MusicXML has become one of the standard interchange formats for music data.  While a specification in the form of some DTD files with comments for each element and equivalently in the form of XML Schemas is available\, no representative archive of MusicXML unit test files has been available for testing purposes. Here\, we present such an extensive suite of MusicXML unit tests [Kainhofer\, 2009]. Although originally intended for regression-testing the musicxml2ly con- verter\, it has turned into a general MusicXML test suite consisting of more than 120 MusicXML test files\, each checking one particular aspect of the MusicXML specification.  During the creation of the test suite\, several shortcomings in the MusicXML specification were detected and are discussed in the second part of this article. We also discuss the obstacles encountered when trying to convert MusicXML data files to the LilyPond format.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-28@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marije Baalman:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Christopher Salter:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Harry Smoak:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Vincent De Belleval:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Brett Bergmann:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Joseph Malloch:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Joseph Thibodeau:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Marcelo M. Wanderley:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T093000Z
DTEND:20100504T101500Z
SUMMARY:LAC2010 - Sense/Stage - low cost\, open source wireless sensor and data sharing infrastructure for live performance and interactive realtime environments
DESCRIPTION:SenseStage is a research-creation project to develop a wireless sensor network infrastructure for live performance and interactive\, real-time environments.  The project is motivated by the economic and technical constraints of live performance contexts and the lack of existing tools for artistic work with wireless sensing platforms. The development is situated within professional artistic contexts and tested in real world scenarios. In this paper we discuss our choice of wireless platform\, the design of the hardware and firmware for the wireless nodes\, and the software integration of the wireless platform with popular media programming environments by means of a data sharing network.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-32@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Tim Blechmann:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T101500Z
DTEND:20100504T110000Z
SUMMARY:LAC2010 - Supernova
DESCRIPTION:SuperCollider is a modular computer music system\, based on an object-oriented real-time scripting language and a standalone synthesis server. supernova is a new implementation of the SuperCollider synthesis server\, providing an extension for multi-threaded signal processing. With adding one class to the SuperCollider class library\, the parallel signal processing capabilities are exposed to the user.
LOCATION:2.00 - Large College room
CATEGORIES:Paper Presentation
END:VEVENT
BEGIN:VEVENT
UID:lac2010-110@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Björn Wijers:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T083000Z
DTEND:20100504T100000Z
SUMMARY:LAC2010 - Creative Commons
DESCRIPTION:Be informed about the options and implications for licensing your work using Creative Commons.
LOCATION:3.10 - Work room
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-105@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Andrés Cabrera:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T083000Z
DTEND:20100504T103000Z
SUMMARY:LAC2010 - Live Coding with QuteCsound
DESCRIPTION:This workshop will explore the Live Coding capabilities of QuteCsound for generating score events for a running instance of Csound\, through the use of the Live Event Panel and the QuteSheet python API. It will show how the QuteCsound frontend can serve as a python IDE for the processing of note events to be generated\, transformed\, sent live\, or looped for a running Csound process.
LOCATION:4.11 - Work room
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
UID:lac2010-165@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100504T080000Z
DTEND:20100504T084500Z
SUMMARY:LAC2010 - Coffee
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-119@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T110000Z
DTEND:20100504T113000Z
SUMMARY:LAC2010 - Wrap up IV
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-166@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Tarik Barri:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T123000Z
DTEND:20100504T131500Z
SUMMARY:LAC2010 - Versum - closing concert
DESCRIPTION:Versum was born out of a desire to make people think about music and images in new and creative ways. It is a 3D audiovisual composition and performance tool that makes one look at the music and listen to the images. Compositions made with Versum can be seen and heard as voyages through 3d spaces full of sound emitting virtual objects which together constitute musical and visual pieces.
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-167@linuxaudio.org
DTSTAMP:20100515T173738Z
ATTENDEE;ROLE=CHAIR;CN=Marc Groenewegen:MAILTO:no-reply@linuxaudio.org
ATTENDEE;ROLE=CHAIR;CN=Robin Gareus:MAILTO:no-reply@linuxaudio.org
DTSTART:20100504T131500Z
DTEND:20100504T133000Z
SUMMARY:LAC2010 - Closing Ceremony
DESCRIPTION:
LOCATION:2.00 - Large College room
CATEGORIES:other
END:VEVENT
BEGIN:VEVENT
UID:lac2010-1000@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100501T183000Z
DTEND:20100501T213000Z
SUMMARY:LAC2010 - Opening Concert
DESCRIPTION:
LOCATION:SETUP (MediaLab)
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-1001@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100502T183000Z
DTEND:20100502T213000Z
SUMMARY:LAC2010 - Concert
DESCRIPTION:
LOCATION:Kikker
CATEGORIES:Concert
END:VEVENT
BEGIN:VEVENT
UID:lac2010-1002@linuxaudio.org
DTSTAMP:20100515T173738Z
DTSTART:20100503T190000Z
DTEND:20100503T230000Z
SUMMARY:LAC2010 - Clubnight
DESCRIPTION:
LOCATION:SJU Jazzpodium - Club
CATEGORIES:Concert
END:VEVENT
END:VCALENDAR